[Avery Andrews 9201112.2108]
The reference to the excesive slowness of feedback is actually:
Jordan and Rosenbaum (1989) `Action', in Posner, ed. _Foundations
of Cognitive Science_, pps. 731, 746. This paper also cites some
very suspect-looking work by Kelso and others that is supposed to
support a concept of `coordinative structures' (what seems to be going
on is low level configuration/relationship control between
articulators).
I guess the obvious question to ask about any movements that do look
too fast for feedback is how they go under novel or unpredictable
dynamic conditions. E.g. how does the concert pianist make out with
lead weights attached to her fingers.
Avery.Andrews@anu.edu.au