Yes, it’s good to take some time replying. This is a permanent record. I confess, I’ve now set aside four different essays at an explanation of collective control. As many a writer has said, it is often the case that I write to find out what I’m thinking. Best to find out what I’m thinking before I press the Reply button.
I’ll start here on common ground which you have offered.
Yes. This presupposes that the parties have developed perceptual input functions with the same properties. We assume this is the case for the lowest levels of the hierarchy. Evolution and genetics justify that assumption. At the lower levels, exceptions to commonality are considered to be pathologies, e.g. blindness or color-blindness, deafness or inability to hear above, say, 2000 Hz.
Perceptual input functions for the social phenomena of interest here are not genetically innate, they are the product of learning. An example from a discussion of ethics of CRISPR in The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race points at the difference. If we could remove the disruptive and non-functional kink in DNA that causes Huntington’s Disease from the human germ line, most folks say heck yeah. That’s a defect in the human genome. What about the bit of DNA that is expressed as dark skin? Eh, no. That’s a defect of society. What needs intervention there is the processes that create and maintain some of those learned perceptual input functions. The fear/alliance us/them aspects of racism almost certainly have an innate basis, but the higher-level systems for identifying and maintaining alliances and other social arrangements for personal, family, and ‘tribal’ security are learned.
Here’s another illustration of the difference:
All control is intentional but only collective control can be performative.
Consider a parallel to the TCV. To control being confrontational (or avoiding it) requires the confrontational one to perceive and control a variable that the ‘mark’ (the person confronted or not) is controlling, and to perceive ways of disturbing that CV. Their perceptual input functions have to be ‘the same’, just as in the TCV. (‘Same’ means sufficiently congruent or homologous for the purpose, sameness cannot be known exhaustively and is hugely improbable at the synaptic level.) Another parallel: to be performative the performer and the members of the audience must have the same perceptual input functions for some variables. A performance often draws attention to the arbitrariness of norms. Lenny Bruce was transgressive. Hippies were transgressive. Abbie Hoffman wrote a book titled Steal This Book. Trump is transgressive.
It’s not a difference between kinds of variables, those that are collective and those that are not. It’s a difference in how perceptual input functions are developed, and often but not always it’s a difference in how the collectively normalized variables which they create are controlled. We recognize a stop sign and know what we’re supposed to do when approaching it in a car. Our stopping the car (or at least slowing) is controlled by the individual driver. As I approach a stop sign and come to a complete stop before proceeding, the driver behind me may be annoyed at what she perceives as over-punctilious obedience, and anyway she’s late to work. Or as I slow down, glance both ways, and cruise through without stopping observers outside or in the passenger seat may go tsk tsk, and a bored cop may stop me and issue a traffic ticket.
- The driving behavior is my idiosyncratic control process.
- Its conformity to legal and informal social norms (which disagree with each other) is something that I control as an individual, with variable gain.
- My observed conformity to or violation of a norm is collectively controlled. Every time someone else transgresses a norm in a way that is a disturbance to my control, the memory strengthens the reference signal for that norm, and vice versa for other people when I transgress a norm.
- I control my (imagined) perception of how others perceive how I navigate the stop sign. I remember that others’ transgressions have disturbed me, I remember how others who perceived a transgression retaliated.
And so on.
You had a simple request: “explain how the collective control of belief works”. You hedged this with a deeply conventional “please”. More elaborately, “Could you please”. A brief detour now, if you please, into traces of the social processes (see above) by which generations of English users forged these conventional politeness idioms which we have inherited from them.
I said deeply conventional. Deeply, as in the early French origins of s’il vous plaît (still au courant in France), translated directly to English “If it please you”. From there, the it referring to the request disappeared, leaving if you please. Then the conditional if went away, leaving please you as a two-word gauze of counterfeit deference. Finally, the recipient of the request is completely effaced in the mid 1600s, leaving only please.
The secondary hedge could you is obviously not to be understood literally as a question about my abilities. It’s a similar bleaching of the semantic bones in would you, a literal request which seems to put the conditional if back into the transaction, except that there’s no if-then conditional. Another semantically bleached convention suggesting social deference which may only be pretended. Both of these politeness tags are often used with aggressive irony. Would you please shut that door!
I was reminded of the ’90s thriller Basic Instinct. When the character Catherine Tramell tells visiting detectives to “get the fuck out of here, please,” she sums it up: The word can brilliantly convey anger, irony, passive aggression, condescension, formality, or desperation—all without a hint of true politeness.
— “How Please Stopped Being Polite” (The Atlantic)
We can still retrieve if you please if you please, with its own social ambiguities. I hope that brief historical detour pleases you.
Perceptual input functions create these non-literal interpretations of words and phrases, their more literal meanings, and the words themselves. These perceptual input functions are in remarkable conformity from one native speaker of English to another. The processes by which these perceptual input functions are created, refined, and maintained, are examples of collective control. Their usage to transmit an intended meaning from one person to another also requires collective control.
For collective control, the participants need to perceive the same variables as the same. As above, ‘same’ means sufficiently congruent or homologous for the purpose.
Take your time. It’s a big ask.
[Next day, a brief addendum: