[From Bill Powers (980505.1540 MDT)]
Bruce Abbott (970505.1215 EST)--
If Jill refuses to speak to Jack until Jack
promises to take her to the opera, then Jill's actions amount to coertion,
even though Jack definitely has the upper hand with respect to overwhelming
physical strength. If Jack values conversing with Jill, then Jack is faced
with an ugly choice: either give in to Jill's demands (thereby regaining the
pleasure of her conversation), refuse to give in (thereby depriving himself
of said pleasure), or attempt to counter-coerce Jill, say by threatening to
use his overwhelming physical force on Jill. Jill may choose to take
whatever Jack dishes out, holding out for a principle as the expense of
physical pain. But Jack can't make her talk.
I think that all you're describing here is bargaining. Jill says "I'll
speak to you if you'll take me to the opera." Jack says, "Sorry, your price
is too high. What if I take you to a movie?" And Jill says, "Sorry, I can
get a better offer than that. Bye." Or Jack says goodbye first.
Coercion starts to appear when one party tries to find a way to _make_ the
other comply. Jill says, "Jack, I have your wife's phone number and a tape
of our last phone call. Take me to the opera or I'll play the tape for her."
Jack now has a conflict, but that's his problem. He can resolve it either
way -- give in and take Jill to the opera, or refuse and face the
consequences when Jill plays the tape to his wife. Jill has presented the
dilemma, but she hasn't forced Jack to choose one way or the other. One
not-impossible outcome is that Jack realizes he doesn't have to be stuck
with this problem. All he has to do is kill Jill, or even just get
something on her that she would be equally unwilling to face. The latter
would be preferable because, Jack thinks, the poor boob, that Jill would
talk to him then.
The level of coercion escalates to the degree that either party _insists_
on the other's behaving in a certain way, provided no acceptable bargain
can be struck. One party or the other gets closer and closer to just
forcing the other to behave as desired (if possible -- as you point out,
it's not always possible). Jill says "Jack, look down here. This is a gun
in my handbag, with my hand on it and my finger on the trigger. Call a
taxi, we're going to the opera."
Jack still has a choice, but it's not much of a choice: die, or go to the
opera. The only escalation remaining is for Jill to signal to her
confederate, Crazy Wolfman Ringbuster, to tie Jack up and carry him to the
opera.
I think that the main problem here is that we've all been trying to make
technical sense out of a nontechnical term, coercion (as I think one of the
Bruces said -- I have to admit that I've been skimming lately). The word
coercion has been around a lot longer than PCT, and what it means is
whatever a given person understands it to mean. There has never been any
agreement on what it is to mean. When someone says no, it means that
someone has to feel coerced, and someone else says no, it means that the
coercer controls the behavior of the coercee without considering the
coercee's goals, the only verdict an impartial judge could give would be
"You know, I think you're right" (to both of them).
If we want to speak CLEARLY on this subject, we should abandon the vain
attempt to find just the right common-sense term from ordinary language,
and start using the technical language of PCT. What are the interactions
that are possible here?
1. The teacher attempts to control the behavior, meaning the actions, of
the student,
a. by applying carefully chosen disturbances that let the student keep
control by producing a different behavior,
b. by creating a conflict in the student between what the student now is
trying to accomplish and what will happen if the present behavior continues
(do that again and I'll shoot you).
c. Bargaining with the student: if you will behave in a certain way, I'll
give up trying to get you to do your homework.
2. Going up a level with the student: what are we trying to do here?
etc.
When we try to resolve disagreements by using ordinary language, everything
immediately becomes dim and fuzzy, and all we find out is who wants the
most to be right. If we stick to technical language, at least we will all
agree on the meanings of the terms, and we can say whether a given
conclusion is consistent with the theory or not.
Anyone want to start by offering for discussion a _technical_ definition of
the term "choose?"
Best,
Bill P.
Best,
Bill P.