(Gavin
Ritz 2011.06.17.10.14NZT)
[From Bill Powers
(2011.0.6.16.0925 MDT)]
Gavin Ritz 2011.06.16.18.04NZT
GR: I can
only see it working like this if it is to be consistent with your Control
System. They way you have it below confuses me because the feedback is
severed, like that.
![Emacs!]()
BP earlier: Note that still a higher level would be needed to control for
“understanding” on the part of the other person, which would be
perceived in many instances of (remembered) relationships between one’s
own sentences and the other person’s.
GR: Bill
there is something that I still cant understand you have two arrows
going into the input on person A and person B, and a separate arrow for
the feedback loop of each person. So the second arrow circumvents the
feedback loop. That is not consistent with your control system. Because
you cant have two arrows going into the input only one and it must going
into the controlled variable for it be a control system. If you have
another input from somewhere else then thats outside your feedback loop,
that breaks the integrity of the control system.
Below is the diagram from chapter 2 of LCS III. Note that the output of
the control system feeds back to affect the input quantity, which is also
affected by a disturbance. So the perceptual signal is affected by two
inputs, one caused by the system itself and the other caused by some
independent variable that we call the disturbance.
In general, the input quantity is a collection of environmental
variables, not just a single variable. There are really multiple inputs
to the perceptual input function (think of the retina of the eye with
millions of sensory receptors), and the disturbance could affect some of
them while the action of the system affects others. The sets of inputs
may overlap partially, completely, or not at all.
![Emacs!]()
The input quantity corresponds to the “spoken sentences” in my
posted diagram. Note that what affects the other person is NOT the
variable shown as the output quantity. The output quantity is the set of
actions that produce the spoken sentences, not the sentences themselves.
If we were looking at a multi-level diagram, it would be clear that the
output function for spoken outputs operates through a feedback function
made up of tongue, jaw, lips, vocal cords, and diaphragm. What comes out
of that feedback function affects not only the input function of the
speaker, but the input function of the listener as well.
Representing higher-order control systems with a single diagram is
difficult. What is shown as the feedback function really includes
multiple levels of perceptual input functions and also output functions
below the level being diagrammed The so-called input quantity is really a
hierarchy of perceptions at levels below the one being diagrammed. And if
we want to speak of “sentences” being passed back and forth, we
really have to imagine that the lower-level systems in both speakers are
organized identically. In truth, all that is really passed back and forth
are waves of air compression affecting intensity-level perceptions in
each person. It takes numerous levels of perceptual processing to
construct from those sound-waves the things we call pitch and timbre,
phonemes, morphemes, words, and finally sentences, meanings, and
relationships among meanings. There is no guarantee that these levels are
organized the same way in any two speakers. Communication is somewhat of
a miracle, even when the two speakers have similar degrees of skill in
using the same language.
Martin Taylor dealt with these problems in a somewhat different way, but
the same difficulties arise and require showing “virtual”
variables and pathways that represent higher-order levels of the two
hierarchies of control. Those virtual pathways don’t really exist; they
assume that the two speakers have similar internal organization, a
simplification made for obvious practical reasons, but in truth nothing
passes between the speakers but those raw sound waves.
See my drawing
below. The only model that looks consistent with your control system
looks like to me the hexagon, any other shape destroys the integrity of
your control system.
Im trying to keep in mind your strict definitions of a control
system. So the basic shape of the control system must stay as per your
diagram in B:CP. Change that and its something else not a strict feedback
system.
You loose the controlled variable in that diagram above???, they
are controlling the disturbance as per that drawing.
![[]]()
You
are showing the CV as a single variable, outside the input function, that
provides a place for the two effects on the input function to be added
together. That’s OK, but remember that it’s the input function which is
defining the CV as some particular function of a set of physical
variables or lower-order perceptions. Inside the circle where you wrote
CV should really be a swarm of N environmental variables called qi[n].
Different input functions can actually detect different CVs within the
same set of qi’s.
All I did with my diagram was to include the CV inside the input
function, showing just the two effects on it, the system’s own feedback
effect and the independent disturbing effect. Your way of diagramming it
is just as good, but it does raise the question of how spoken sentences
can affect something physical in the environment, when only sound waves
are really there. “Really”, that is, according to our physics
models.
Best,
Bill P.
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At 10:35 AM 6/17/2011 +1200, you wrote: