[From Richard Thurman (930318.1630)]
Rick Marken (930317.1400)
And I think the training emphasis would be great. The idea
would be to show that training is largely a matter of learning
which perceptions to control, not which "outputs" to generate.
Keep in touch on this. If we do it over CSG-L (instead of
in private) maybe we can benefit from the advice of others.
I just got off the phone with Dr. Hancock (Grand Canyon Univ) and
told him about the idea. He is amenable to it and may have grad
students who may also wish to participate. In addition he said
that if you want to start running subjects he has some available
for the next few weeks (from some of his classes). He's got two
Mac labs where he can run subjects.
So far we have been able to run a number of studies dealing with
training and education. For example we set up a HyperCard based
drill and practice program for teaching "radar signature recognition."
(I had to make it look like a task that would have an Air Force
application but the bottom line is that the program can be set up
to drill just about anything.) Some of the interesting preliminary
findings are that we could fairly easily separate out three distinct
groups of subjects. Some students were controlling for understanding
the information. Some students were controlling for getting a correct
answer (that is they didn't care much about why they were correct,
they simply wanted to see the word correct on the screen). And
some students were controlling for getting out of the experiment.
Its interesting data (in a group-means statistics sort of way).
We will be presenting our findings at AERA (American Educational
Research Association) in April ("Instructional Feedback in a Servo-
control Theory Framework") and at APA in August ("Student Modeling
and Perceptual Control for Intelligent Tutoring Systems"). If any
body is interested I will send out drafts of the papers.
Gary Cziko 930318.1648
I've been thinking about the proposed control of sequence experiment. But
instead of flashing letters on a computer screen, I think it might be a
better test to use a sequence of tones like "do-re-mi-fa-sol-fa-me-re-do."
Rick can probably set up the HyperCard stack so that it will be a simple
adjustment to go from visual to auditory presentation. (I'm assuming
he is going to use HyperCard.) It would be interesting to see if different
patterns emerge with different perceptual modalities.
I think this would be a better test for none other than the intuitive
feeling that it would be easier to perceive disturbances to this auditory
sequence tan to the visual one using letters.
I'm not sure about that. Some of us (I guess meaning me) are not very
good at listening to music. I'm not sure that an auditory modality is
easier to perceive sequence or not.
Now that I've started to think about this, I can see music perception as a
way of getting to quite high levels of perception--Key modulations as
transitions, perhaps musical phrases as events, musical style (e.g.,
baroque, classical, romantic, modern) as category, etc.
But I nonetheless have the intuition that once the melody (sequence) is
well known), a person could react to a wrong note as quickly as he or she
could to a wrong loudness or wrong timbre. But I hope I'm wrong.
Doesn't PCT explain that intuition. Once a melody (or at least a certain
phrase) is known it hovers around the Event level of perception. If a
wrong note is sounded then its perceived "not the event." So it should
be reacted to faster than a sequence. Is that right?
Rich
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Richard Thurman
Air Force Armstrong Lab
Aircrew Training Research Division
BLDG. 558
Williams AFB AZ. 85240-6457
(602) 988-6561
Internet: Thurman%HRLOT1.Decnet@EIS.Brooks.AF.Mil
or
Thurman@192.207.189.65
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