[From Bruce Nevin (2002.05.07 21:10 EDT)]
We’re asking why no action in the face of disturbance to a controlled
variable. Is the gain lowered? Is there a universal function in all
output functions that replicates the physical properties of stretched
muscle fibers? What else might result in a cessation of action to control
a disturbed CV? If I’m controlling in imagination a disturbance in the
environment does not affect control. What else?
The latch-trip mechanism proposed in B:CP (diagrams on pp. 142, 144) is
described in terms of event recognition, e.g. /p/ followed by /i/
followed by /n/ results in recognition of the word-event /pin/. The input
function for /i/ in this sequence requires a signal from the /p/
recognizer in order to pass a signal along to the input of the /n/
recognizer. (A summing element would give a signal for /pin/ with less
than full strength if some part of the sequence were missing. Subjective
experience suggests that missing elements are imagined.)
Presumably a like mechanism controls production of an event or sequence.
Sequences that are not short and stereotyped, however well learned they
may be, are not events at level 5 in the (current) standard proposal
about the perceptual hierarchy. They are thought to have category and
relationship perceptions in their inputs, so they are above the
demarcation between analog perceptions and digital (binary, yes/no)
perceptions. (But note in passing that the elements in an event-sequence
are categorial – either the element is perceived and the latch tripped,
or not – and perhaps it is on/off character of the latch mechanism
itself that imposes a categorization.) Such sequences may be thought of
as the simplest form of programs. Among other differences, sequences are
easily interrupted by other sequences and then resumed, but events that
are interrupted are typically started over (performance) or the missing
parts are imagined to complete it (recognition).
Interruption and resumption of performing a sequence seems to involve
some kind of addressing to return to the incomplete sequence. To return
to the right place, something must maintain the perceptual signal that is
the third. In the proposed latch-trip mechanism, it is the
“recirculation loop” that does this. In the word recognition
example in B:CP there is a loop back from event completion to inhibit the
signal. There would also have to be an inhibitory input going from the
tripped /pin/ recognizer to the recognizer for /pit/, /pil/, /pip/ to
prevent false recognition of an ensuing /t/ etc. that belongs to the next
word. In the sequence control system, absent any inhibitory signal, the
recirculation loop for the second step keeps alive a perception that step
2 has been completed and – just how is not quite clear – a perception
that step 3 has not been completed.
What is not clear is how, having successfully controlled step 2, we now
start controlling step 3. Either the reference for step 3 is set,
and it was not previously, or the gain for controlling step 3 is raised,
or both.
At this point, the sequence is interrupted. We have to go to the
bathroom. The telephone rings. There is a power outage. We want some ice
cream. For whatever reason, we put the sequence on a memory shelf, we
remember that step 2 is completed, and we remember that we must control
step 3 to continue. As described above, we are controlling a variable
(completion of step 3) in the face of disturbance (step 3 is not even
started), and we are not taking any action to resist the
disturbance.
There is some evidence that we are controlling resumption of the
interrupted sequence, and that whatever we are controlling during the
interruption is the means for controlling resumption of the interrupted
sequence. I might try to complete the telephone interruption as quickly
as I can so I can resume what I was doing (impatience). I might take my
time over the ice cream because step 3 is difficult or distasteful or in
some other way occasions conflict, and indeed that might be why the
desire for ice cream came up (procrastination).
The speed at which I control during the interruption (which is a
controllable variable, not merely gain, cp. the enjoyment of ice cream)
is a means of controlling the length of the interruption and the
quickness with which I return to controlling step 3 of the sequence.
Of course this is true of any of the steps in the sequence: the faster I
perform step 2, the more quickly I can start step 3.
Bill Curry (2002.05.07.1030 EDT) suggests that imagination is involved in
the horse bolting for the barn to get fed. The ride is part of the
sequence go out - ride - come back - get fed. ‘Imagination’ colloquially
includes more than is modelled by the imagination loop in PCT. The
controlling of something more quickly (of slowly) as means of starting to
control the next element of a sequence more quickly (or slowly) could be
thought of as due to ‘imagining’ the next element and either avoiding it
or (like the horse) hastening toward it.
/Bruce
Nevin
···
sent from the output of the second step (say) to the perceptual input of