[From Bjorn Simonsen (2006…11.24,15:30 EUST)]
Martin Taylor 2006.11.23.20.10
(the transmission of information)
(That) area is technically much more difficult
than is the discussion
of energy transformation. I think we ought to
leave it aside unless
you want to go into some pretty detailed analyses.
I confine myself to the value of the frequency of
signals inside the brain.
I guess you among other factors think upon not linear
functions and time-dependent functions describing the gain in different functions.
As I remember, the thread started with the
question of whether the
units of physical measurement (grams, cm, coulombs, seconds) of
things happening in the environment were relevant when computing
the gain around a feedback loop.
Yes, but when the happenings in the environment are
sensed, we have a perceptual signal. And when I talk about PCT/HPCT I follow
the perceptual signal as an information transmission through the loop.
I know I do it in a very simple way (above). But that
is how I think upon PCT.
I am a curious person, therefore I continue studying
your comments. It looks like I am in another forest still. You talk about
controlling of light and I comment your statements as if you e.g. are
controlling blue light.
I have a tendency to deviate the theme that started
our discourse. Actually I should have stopped here and waited for your answer.
But you are so clear below saying:
Yes, I do. The reference value says only which
colour I want to see.
That’s all it says. It doesn’t say anything about
how much of the
colour I want to see. That might be the business
of a different
control loop, but it’s not the business of the one
we are considering.
I will continue commenting your comments below, but I
have to ask how the reference value can express which colour I want to see.
You expressed yourself: “Photons from the beam
directed toward the eye hit
receptor cones in the retina. Some respond more
strongly to red, some
to green, and some to blue.”
I will confine myself to take as my starting point
that some cones respond to red, some to green and some to blue. I skip “more
strongly” because those words make everything more difficult.
I think some signals from B cones are directed direct to
a second level comparator. Some signals are directed to the first level
comparator.
I think some signals from R cones are directed to
another second level comparator.
And so on.
Let us say that the knob/spectral line shows red
light.
When I wish to see blue light, the reference has a
value different from zero. It becomes compared with the perceptual signal.
There is no perceptual signal in the blue loop, because the knob shows red
light. The reference value minus the zero perceptual signal becomes an error
and an action turning the knob to another colour.
The signals from the R cones are directed to a
comparator with reference value zero because I don’t control for red light. We
don’t get any error because it becomes negative and negative signals don’t exist.
This is how I explain how I control for a certain
colour.
You say you control for light. The only way I think
you can control for light is to control the light at the first level
(intensity). If you just control for light, you wish to see light, and there is
a reference for your wish.
Signals from the B cones, the R cones and the G cones are
directed to different comparators at the first level. Because you don’t control
any perceptions at a higher level, the references there are zero.
At first level there are errors if you wish another
form for light. If you perceive the light OK the error is zero.
Which outputs make you turn the knob to another
colour?
It is about a starting state in a loop, not about
incidents. It’s the
state when the analyst begins to consider what
should then be
expected to happen in the loop.
Maybe the language fools me, but the starting state in
a loop is an incident for me.
If I wish to see blue light, control for blue
light, the loop is the
one that is in force for blue light.
No. It is the one that controls for colour, with a
reference
value of “blue”.
I have always thought that the reference always is an expression
for how much I wish to perceive of a certain quality. I also understand your
statement, if the same loop doesn’t control for different colours.
There are other loops that control for red
light.
This loop could equally have a reference value of
“red”. It’s not a
different loop.
Is it possible for you to paint such a loop or express
it with words. I have a problem here.
Therefore the reference value doesn’t say anything about which
colour I control, the reference value tells me
how much I wish to
perceive the yellow light.
Do you see it different?
Yes, I do. The reference value says only which
colour I want to see.
That’s all it says. It doesn’t say anything about
how much of the
colour I want to see. That might be the business
of a different
control loop, but it’s not the business of the one
we are considering.
Well I go for a new round. I still think using a diffraction
grating it is possible to simulate how to control for blue light when the
reference is a number expressing how strong I wish to perceive blue light.
As you describe, the perceptual signal is
compared with the
reference signal and the error I think upon as
an information signal.
Put very loosely, that’s OK. But in normal PCT,
it’s a signal with a
variable magnitude, and you can use that value in
computations about
how the loop behaves.
I still stand up. It is OK for me that the reference
signal may have a variable magnitude. It depends on the output signals at
higher levels how strong I wish to perceive blue light. Wishing to perceive
blue light is not an either – or condition.
I
think it is a misrepresentation to multiply the error with a
gain, a (often) large number with the units
output variables per
error signal. But this is a way to bring the
information signal
further.
Whether it is a mistake depends on what you want
to do with it. You
probably could make statements about energy input
and output. After
all, any amplifier gets its output energy from a
source separate from
the control signal, so that’s not really the point
at issue.
I can live with your statements, but I think you
misunderstood me.
To me gain is an amplifier expression. Here I think I have a quality and make the
same quality normally greater.
This is not what happens in an Output function. There
the quality called frequency lead to an action which is quite another quality.
Therefore I said:
I
think it is a misrepresentation to multiply the error with a
gain, a (often) large number with the units
output variables per
error signal.
Bill P. pointed out that once you get outside the
control unit, you
really can’t talk again about gain factors until
you get back into
the control unit. The interfaces are (in the
classic diagram) the
output function and the perceptual input function.
The input to the
output function is the error signal. The output
from the perceptual
input function is the perceptual signal (the
perception).
Yes, but if you go to his Live Block he has a Feedback
Gain. A logarithmic form for Gain.
If (as an analyst) you disconnect the perceptual
signal from the
comparator and then change the value of the error
signal by some
known amount over some known time, you then will
find a change in the
perceptual signal, which also will be a function
of time. The
relation between the two changes is your feedback
gain function. In
the classical diagram, it is the combination of
the output function,
the environmental feedback path, and the
perceptual input function.
That gain is a dimensionless function of time (I
mean a time-varying
simple number).
Yes this is OK because you say: “, it is the
combination of the output function,
the environmental feedback path, and the perceptual
input function”. But in Bill’s Live Block he has as I said a certain Feedback
gain. Here the output variable is multiplied with a Feedback gain to get an
Input quantity (a part of input quantity). And here the feedback gain must have
a unit named input quantities per output quantity. Are we both correct?
The problems arise when we try to partition the
path into the three
components, and associate different gains and
dimensions to each. In
almost all cases, the perceptual signal relates to
some kind of a
pattern in the environment outside the control unit.
As soon as we
talk about “pattern” we are back in the
realm of information theory,
where things get rather tricky. I believe it might
be possible to do
an information-theoretic analysis of the control
loop in which the
partitioning might make sense, but when I tried to
do this a dozen
years ago, I couldn’t make it work. I don’t know
if I could do any
better now.
I see no problems with your first sentence if we talk
about time independent gains.
Your second sentence I meet with respect. I know too
little about information theory.
As a comment to your last sentence, I will wait and
see.
… There is NO gain factor relating
muscular output to changes in the position of the diffraction grating.
This is OK in this example. But in other
examples the same muscle
contraction could have great or very great
effects on the
environment and the disturbance because of
this change much or very
much.
If the muscle contraction overturns a cup of
coffee the disturbance
change. If the muscle contraction overturns a
5 meter high bookshelf
the disturbance changes very much.
Disturbance to what? My perception of the value
of the Persian carpet on which each thing fell?
Are you fooling me with words here? How can a Persian
carpet be a value?
My desire to have a good taste in my mouth
early in the morning? In either of those cases, I
think the coffee
spill would be a MUCH greater disturbance than the
fall of the
bookcase. When you talk about a disturbance you
must ALWAYS be
talking about a specific CONTROLLED perception. If
I was a very messy
person, it might be that neither the coffee spill
nor the bookcase
fall created any disturbance at all.
Yes of course. In posterity I can say I hoped you read
my statements in your best intention.
So, what do we have when looking for a gain factor between output
neural impulaes feeding the muscles and neural impulses up the optic
nerve? Not a lot.
To me this total gain in a way is dependent on
factors in the
environment. I think we will experience that
if we execute a walk on
the moon. (Excuse me for jumping away from
colours).
It is entirely dependent on factors in the
environment, isn’t it? The
whole path between muscular output and phtons
impinging on the retina
to create neural impulses is in the environment
(always, pace Bill
P., recognizing that there may be no “real
reality” out there).
Well I think there is something outside the brain.
When I agree with one or more people we say the real reality out there is the
way we agree. It happens I disagree with some people about the real reality out
there. Most often I let them live and we disagree.
A loop controlling the intensity of a blue light
may well be
independent of a loop controlling the intensity of
a red light. But
the loop we were discussing controls the colour of
a light, which
might be red, blue, or anything in between. To a
very loose
approximation, colour depends on the ratios of the
outputs of the
different colour channels, not to the intensity of
any one of them.
Well this is what I have commented above.
bjorn