In the book Impro, Keith Johnstone describes the techniques used to improvise interesting conversations between actors on stage:
When I began teaching at the Royal Court Theatre Studio (1963), I noticed that the actors couldn’t reproduce ‘ordinary’ conversation. They said ‘Talky scenes are dull’, but the conversations they acted out were nothing like those I overheard in life. […]
I asked myself for the first time what were the weakest possible motives, the motives that the characters I was watching might really have had. When I returned to the studio I set the first of my status exercises. ‘Try to get your status just a little above or below your partner’s,’ I said, and I insisted that the gap should be minimal. The actors seemed to know exactly what I meant and the work was transformed. The scenes became ‘authentic’, and actors seemed marvelously observant. Suddenly we understood that every inflection and movement implies a status, and that no action is due to chance, or really ‘motiveless’. It was hysterically funny, but at the same time very alarming. All our secret maneuverings were exposed. If someone asked a question we didn’t bother to answer it, we concentrated on why it had been asked. No one could make an ‘innocuous’ remark without everyone instantly grasping what lay behind it. Normally we are ‘forbidden’ to see status transactions except when there’s a conflict. In reality status transactions continue all the time.
It seems like he is saying that status is a universal controlled variable, everyone controlling their own in relation to others. We can decide what status, in relation to someone else, we want to be - higher or lower, or maybe equal. Johnstone is saying that audiences in theaters enjoy watching status ‘fights’ or little games where the actors try one-up each other. He is also saying that this feels like ordinary conversation, that people seem to be doing it all the time.
Is this true - in ordinary conversation, are we always trying to play the see-saw, and be a bit above the other person? Maybe in some types of good-will banter it is fun, but it can be tiring and irritating when some people try to constantly “win” in casual conversations.
As audiences, we enjoy big status-changing story arcs. A low-status underdog eventually wins over a high-status enemy in the classic hero’s journey. In a tragedy, a king or a prince loses his high status because of hubris and some meddling of the gods. We are captivated by the story because we want to achieve high status and avoid the fall to low status; or maybe we just imagine ourselves in their shoes, and feel their emotions without living their life.
I’m not sure how to define status, it seems quite abstract. If two people play a game, the winner gets high status, and the loser low. And we play many games, so maybe our sense of status is the sum of wins in all games? First approximation.
It also seems very physiological, close to the hardware. Viscerally, a win makes us feel good, and a loss makes us feel bad. This happens even when the win or loss belongs to our group, not necessarily to us personally, like in a sports match.